The works I have been producing recently deal with the complex relationships between personal ideology and cultural growth within a capitalist society. They are situated in diverse settings, and are grounded in the actions of the individual.
One work depicts the recollections of a man who has a recurring dream that he is Neil Armstrong, it is 2001 but he is back on the moon, and he is trying to scuff out his footprints, but just keeps leaving more. The dream of the astronaut’s neurosis occupies most of the three meter high composition, looming over the dreamer like a heavy question about the natural limits of human existence, and whether they should be eschewed.
The scenes presented are constructed, synthesized from a diverse array of sources, rather than being drawn directly from reality. The scale shifts between works, some presenting life-sized human figures, some much smaller. Some elements drift between the representational and the abstract, creating a sense of reality becoming leavened, and also referring to the role of design in contemporary culture.
This body of work builds upon previous explorations, constructing tableaus of human activity which engage with the relationships between individual ideologies and the broader socio-political ideals which underpin a society. Some scenes function almost filmically, containing suggestive fragments of narrative and conversation. They serve as meditations on individual moments, and how they might play a role in the formation of cultural identities. – Helen Johnson, 2007.
Helen Johnson
‘Nature favours symmetries and slight anachronisms’*
, 2007
Acrylic and pencil on paper
171 x 60cm (approx)
*Jorge Luis Borges, from Ficciones
Helen Johnson
Open barbeque season (Triangular structure as social gathering point, part II)
, 2007
Acrylic and pencil on paper
160 x 160cm
Helen Johnson
Modern Women
, 2007
Acrylic and pencil on paper
180 x 140cm
Helen Johnson
‘Our system of belief may seem strange now,’ she declared solemnly, ‘but in the future it will be considered quite normal’
, 2007
Acrylic and pencil on paper
103 x 138cm
Helen Johnson
Summer of Resistance
, 2007
Acrylic and pencil on paper
67 x 46cm (approx)
Helen Johnson
As people arrived at the vernissage, they found themselves drifting towards the triangles. No one was quite sure why, yet they felt compelled
, 2007
Acrylic and pencil on paper
200 x 300cm
Helen Johnson
Krankenzeichnung (The future of medicine is its past)
, 2007
Acrylic and pencil on paper
284 x 145cm
Helen Johnson
Embracing hopelessness becomes the most empowering thing to do
, 2007
Acrylic and pencil on paper
2 parts: 264 x 145cm and 56 x 120cm (approx)
Helen Johnson
It’s on days when the weather is bad that we like best to stay inside and think and make things
, 2007
Acrylic and pencil on paper
233 x 115cm
Helen Johnson
How it is (slowly becoming changed)
, 2007
Acrylic and pencil on paper
82 x 62cm
Helen Johnson
Getting Mouthed
, 2007
Digital collage, Pegasus print on photographic paper
25 x 35cm
Edition of 5
Helen Johnson
Kissers and Pokers I
, 2007
Digital collage, Pegasus print on photographic paper
25 x 35cm
Edition of 5
Helen Johnson
Kissers and Pokers II
, 2007
Digital collage, Pegasus print on photographic paper
35 x 25cm
Helen Johnson
Kissers and Pokers III
, 2007
Digital collage, Pegasus print on photographic paper
35 x 25cm
Edition of 5
Helen Johnson
The Ambassador Returned
, 2007
Digital collage, Pegasus print on photographic paper
35 x 25cm
Edition of 5
Helen Johnson
The Cannibal Machine
, 2007
Digital collage, Pegasus print on photographic paper
35 x 25cm
Edition of 5
Helen Johnson
White Curls and Florid Arbiter
, 2007
Digital collage, Pegasus print on photographic paper
25 x 35cm
Edition of 5