Madeleine Peters
Oil on board
48 panels
Total: 11 x 7640cm (each 11 x 15cm)
Catherine’s Handstand
, 2023Oil on board
48 panels
Total: 11 x 7640cm (each 11 x 15cm)
Daniel Noonan Being Built
18 November –16 December 2017
David Rosetzky
Archival pigment print
49 x 72.5cm
After Palermo
, 2024Archival pigment print
49 x 72.5cm
Rosslynd Piggott
Engraved glass, mirror, slumped and mirrored glass, Murano glass and mirrored glass base
32 x 36.5 x 20cm
Garden fracture / Mirror in vapour – Magnolia, anatomical
, 2016Engraved glass, mirror, slumped and mirrored glass, Murano glass and mirrored glass base
32 x 36.5 x 20cm
Rosslynd Piggott
Oil and palladium leaf on linen; hand slumped, sandblasted and mirrored glass
Two panels: 100 x 75 x 2cm (each)
Mirror, mirror III
, 2007–2008Oil and palladium leaf on linen; hand slumped, sandblasted and mirrored glass
Two panels: 100 x 75 x 2cm (each)
Peter Robinson
Polystyrene
85 x 85 x 125cm
Minimal Baroque
, 2007–2008Polystyrene
85 x 85 x 125cm
Rosslynd Piggott
Engraved glass, mirror, slumped and mirrored glass, Murano glass and mirrored glass base
32 x 36.5 x 20cm
Garden fracture / Mirror in vapour – Cherry Blossom, anatomical
, 2016Engraved glass, mirror, slumped and mirrored glass, Murano glass and mirrored glass base
32 x 36.5 x 20cm
Rudi Williams
Hand-printed Chromogenic print and ink on Dibond
98.5 x 65.5cm
Edition of 5 (+ 3 APs)
2019, Doorway: ‘Mirror, mirror x 3 (2008)’, Rosslynd Piggott ‘I sense you but I cannot see you’ exhibition, The National Gallery of Victoria, Melbourne
, 2024Hand-printed Chromogenic print and ink on Dibond
98.5 x 65.5cm
Edition of 5 (+ 3 APs)
Rudi Williams
Hand-printed Chromogenic print and ink on Dibond
98.5 x 65.5cm
Edition of 5 (+ 3 APs)
2019: ‘Mirror, mirror x 3 (2008)’, Rosslynd Piggott ‘I sense you but I cannot see you’ exhibition, The National Gallery of Victoria, Melbourne
, 2024Hand-printed Chromogenic print and ink on Dibond
98.5 x 65.5cm
Edition of 5 (+ 3 APs)
Rudi Williams
Hand-printed Chromogenic print and ink on Dibond
98.5 x 77cm
Edition of 5 (+ 3 APs)
2024, Blooming orchid: ‘Mirror, mirror III (2008-2009)’, Rosslynd Piggott, The artist’s studio and apartment, Fitzroy
, 2024Hand-printed Chromogenic print and ink on Dibond
98.5 x 77cm
Edition of 5 (+ 3 APs)
Rudi Williams
Pigment print on Dibond
98.5 x 77cm
Edition of 5 (+ 3 APs)
2017, Cumulus (mirrored): ‘Mirror, mirror III (2008-2009)’, Rosslynd Piggott ‘PhD Research Exhibition’, The artist’s studio, Fitzroy
, 2024Pigment print on Dibond
98.5 x 77cm
Edition of 5 (+ 3 APs)
Rudi Williams
Hand-printed Chromogenic print and ink on Dibond
98.5 x 77cm
Edition of 5 (+ 3 APs)
2013, Yellow Room: ‘Mirror, mirror II (2008-2009)’, Rosslynd Piggott ‘Murmur’ exhibition, The Johnston Collection, East Melbourne
, 2024Hand-printed Chromogenic print and ink on Dibond
98.5 x 77cm
Edition of 5 (+ 3 APs)
Rudi Williams
Hand-printed Chromogenic print and ink on Dibond
98.5 x 77cm
Edition of 5 (+ 3 APs)
2013, White Room: ‘Mirror, mirror II (2008-2009)’, Rosslynd Piggott ‘Murmur’ exhibition, The Johnston Collection, East Melbourne
, 2024Hand-printed Chromogenic print and ink on Dibond
98.5 x 77cm
Edition of 5 (+ 3 APs)
Nick Selenitsch
Oil on foam pool mat
100 x 190cm
Pool Noodle, (f)
, 2024Oil on foam pool mat
100 x 190cm
Nick Selenitsch
Oil on foam pool mat
100 x 190cm
Pool Noodle, (e)
, 2024Oil on foam pool mat
100 x 190cm
Nick Selenitsch
Oil and synthetic polymer on foam pool mat
100 x 200cm
Pool Noodle, (d)
, 2024Oil and synthetic polymer on foam pool mat
100 x 200cm
Nick Selenitsch
Oil and synthetic polymer on foam pool mat
100 x 200cm
Pool Noodle, (c)
, 2024Oil and synthetic polymer on foam pool mat
100 x 200cm
Nick Selenitsch
Oil and synthetic polymer on foam pool mat
100 x 200cm
Pool Noodle, (b)
, 2024Oil and synthetic polymer on foam pool mat
100 x 200cm
Nick Selenitsch
Oil and synthetic polymer on foam pool mat
100 x 200cm
Pool Noodle, (a)
, 2024Oil and synthetic polymer on foam pool mat
100 x 200cm
Mia Boe
Ink on paper
32 x 18cm
Inside
, 2023Ink on paper
32 x 18cm
Mia Boe
Wool, silk, ink, thread
125 x 107cm
I can’t stop thinking about you 1
, 2023Wool, silk, ink, thread
125 x 107cm
Mia Boe
Wool, silk, ink, thread
125 x 107cm
I can’t stop thinking about you 3
, 2023Wool, silk, ink, thread
125 x 107cm
The title being built immediately references both the physical and conceptual formation of this body of work – it can refer to the building of an idea, or the building of experiences and expectation. In this way Noonan draws our attention to the connection between the physical woks before us and the physical/sensory creative action of the artist.
Layered with imagery a raw honesty prevails throughout these paintings. For Noonan, colour ,form and composition, are cues for a personal interpretation of experience and psychology. His painterly practice performs as a language to translate sensory response.
Compositions reference preliminary drawings, collected phrases, and more specifically here a family photograph taken at a communist camp at Yarra Junction,and a 1940’s futuristic watercolor by an unknown French painter. This source material points to a culmination of idea and desires. Obscured figures and landscapes appear throughout this predominately abstracted series.
Daniel Noonan was born in Melbourne in 1974 and now lives and works in Brooklyn, N.Y. Noonan attended the Victorian College of the Arts, University of Melbourne, and received a Bachelor of Fine Arts (Painting) in 1997. Throughout the late 90s and 2000s, Noonan exhibited in various solo and group shows in Melbourne and Sydney and was also a member of artist group “DAMP” during this time. Noonan relocated to New York in 2005. His work is held in collections of Artbank, the National Gallery of Victoria, the collections of James Mollison AO, John McBride, the Joyce Nissan collection, as well as private collections in Australia, United States and Europe.
Selected solo exhibitions
ECHO HOPE, Sutton Gallery, Melbourne, 2019; Being Built, Sutton Gallery, Melbourne, 2017; Working Pictures, Dutton, New York, 2015;
That of my There, Dutton, New York, 2015; GG Spectrum & Elements, Tristian Koenig, Melbourne, 2014; Minor Threat, Crossley & Scott Contemporary, Melbourne, 2005; Nothing, Kaliman Gallery, Sydney, 2004; The Unfinished Studio, Crossley & Scott Contemporary, Melbourne, 2003; Day to Day, Kaliman Gallery, Sydney, 2002
Selected group exhibitions
Spring 1883, Dutton, Sydney, 2018; Works on Paper, BEERS, London, 2017; Spring 1883, Dutton, Sydney, 2017; Out of Place, Dutton, New York, 2016; Spring 1883, Dutton, Sydney, 2015; REDUXDELUX, Parkhaus Projects, Berlin, 2010; Our Project Presents: Poster Show, with Guy Benfield, 117 Grattan St., New York, 2008; Brix Presents: Full Nelson, Berlin, 2007; Recent Aquisitions, National Gallery of Victoria, Melbourne, 2005.