Tom Kreisler, Anna Peters, Robert Pulie, Michael Snape
Sutton Projects, Melbourne
Photo Christian Capurro
Know Thy Measure (installation view)
, 2025Sutton Projects, Melbourne
Photo Christian Capurro
Daniel Noonan Being Built
18 November –16 December 2017
Tom Kreisler, Anna Peters, Robert Pulie, Michael Snape
Sutton Projects, Melbourne
Photo Christian Capurro
Know Thy Measure (installation view)
, 2025Sutton Projects, Melbourne
Photo Christian Capurro
Tom Kreisler, Anna Peters, Robert Pulie, Michael Snape
Sutton Projects, Melbourne
Photo Christian Capurro
Know Thy Measure (installation view)
, 2025Sutton Projects, Melbourne
Photo Christian Capurro
Tom Kreisler, Anna Peters, Robert Pulie, Michael Snape
Sutton Projects, Melbourne
Photo Christian Capurro
Know Thy Measure (installation view)
, 2025Sutton Projects, Melbourne
Photo Christian Capurro
Tom Kreisler, Anna Peters, Robert Pulie, Michael Snape
Sutton Projects, Melbourne
Photo Christian Capurro
Know Thy Measure (installation view)
, 2025Sutton Projects, Melbourne
Photo Christian Capurro
Tom Kreisler, Anna Peters, Robert Pulie, Michael Snape
Sutton Projects, Melbourne
Photo Christian Capurro
Know Thy Measure (installation view)
, 2025Sutton Projects, Melbourne
Photo Christian Capurro
Tom Kreisler, Anna Peters, Robert Pulie, Michael Snape
Sutton Projects, Melbourne
Photo Christian Capurro
Know Thy Measure (installation view)
, 2025Sutton Projects, Melbourne
Photo Christian Capurro
Tom Kreisler, Anna Peters, Robert Pulie, Michael Snape
Sutton Projects, Melbourne
Photo Christian Capurro
Know Thy Measure (installation view)
, 2025Sutton Projects, Melbourne
Photo Christian Capurro
Michael Snape
Painted steel
85 x 170 x 20cm
Me
, 1981Painted steel
85 x 170 x 20cm
Robert Pulie
Tempered glass, brass, form ply
116cm (diameter)
Mirror of Self Under Standing
, 2023Tempered glass, brass, form ply
116cm (diameter)
Robert Pulie
Oil, stain and wax on timber
59 x 100 x 20cm
Pride Pants Rack
, 2023Oil, stain and wax on timber
59 x 100 x 20cm
Robert Pulie
Jute, rug canvas, linen
118 x 69 x 2.5cm
Hard Sole Shoe Mat
, 2023Jute, rug canvas, linen
118 x 69 x 2.5cm
Michael Snape
Enamel on masonite
40 x 50cm
The night
, 2008Enamel on masonite
40 x 50cm
Tom Kreisler
Pen on paper bag
34 x 20cm
A quarter past floor
, 2001Pen on paper bag
34 x 20cm
Tom Kreisler
Acrylic and tape on cardboard
46 x 50 x 6cm
No estoy dispuesto a llorar (I am not in favour of crying)
, 2001Acrylic and tape on cardboard
46 x 50 x 6cm
Anna Peters
Pen, pencil and coloured pencil on paper
21 x 29.7cm
I look terrible in this!
, 2023Pen, pencil and coloured pencil on paper
21 x 29.7cm
Anna Peters
Pen, pencil, coloured pencil and acrylic on paper
21 x 29.7cm
The Shredder
, 2023Pen, pencil, coloured pencil and acrylic on paper
21 x 29.7cm
Anna Peters
Pen, pencil and coloured pencil on paper
21 x 29.7cm
I’d hate to do that job!
, 2023Pen, pencil and coloured pencil on paper
21 x 29.7cm
Anna Peters
Pen on paper
21 x 29.7cm
Bad reception
, 2023Pen on paper
21 x 29.7cm
Anna Peters
Pen, pencil, coloured pencil and acrylic on paper
21 x 29.7cm
Visiting in Blue Dress
, 2023Pen, pencil, coloured pencil and acrylic on paper
21 x 29.7cm
Anne-Marie May
Patinated bronze cast from paper maquette, acrylic
24.4 x 14 x 5.8cm
AP 3/3
Terraforming
, 2021Patinated bronze cast from paper maquette, acrylic
24.4 x 14 x 5.8cm
AP 3/3
Kate Beynon
Synthetic polymer and enamel on canvas
12.5 x 12.5cm
Collection of the National Gallery of Victoria (NGV), Melbourne
Li Ji – Melbourne life
, 2003Synthetic polymer and enamel on canvas
12.5 x 12.5cm
Collection of the National Gallery of Victoria (NGV), Melbourne
Catherine Bell
Single channel HD video, black and white, no sound.
12:00 (duration)
Dog Robot Space Star
, 2023Single channel HD video, black and white, no sound.
12:00 (duration)
Catherine Bell
Florist Oasis foam
45 x 25 x 25cm
Bouquet #5 (Roses for Archie)
, 2024Florist Oasis foam
45 x 25 x 25cm
The title being built immediately references both the physical and conceptual formation of this body of work – it can refer to the building of an idea, or the building of experiences and expectation. In this way Noonan draws our attention to the connection between the physical woks before us and the physical/sensory creative action of the artist.
Layered with imagery a raw honesty prevails throughout these paintings. For Noonan, colour ,form and composition, are cues for a personal interpretation of experience and psychology. His painterly practice performs as a language to translate sensory response.
Compositions reference preliminary drawings, collected phrases, and more specifically here a family photograph taken at a communist camp at Yarra Junction,and a 1940’s futuristic watercolor by an unknown French painter. This source material points to a culmination of idea and desires. Obscured figures and landscapes appear throughout this predominately abstracted series.
Daniel Noonan was born in Melbourne in 1974 and now lives and works in Brooklyn, N.Y. Noonan attended the Victorian College of the Arts, University of Melbourne, and received a Bachelor of Fine Arts (Painting) in 1997. Throughout the late 90s and 2000s, Noonan exhibited in various solo and group shows in Melbourne and Sydney and was also a member of artist group “DAMP” during this time. Noonan relocated to New York in 2005. His work is held in collections of Artbank, the National Gallery of Victoria, the collections of James Mollison AO, John McBride, the Joyce Nissan collection, as well as private collections in Australia, United States and Europe.
Selected solo exhibitions
ECHO HOPE, Sutton Gallery, Melbourne, 2019; Being Built, Sutton Gallery, Melbourne, 2017; Working Pictures, Dutton, New York, 2015;
That of my There, Dutton, New York, 2015; GG Spectrum & Elements, Tristian Koenig, Melbourne, 2014; Minor Threat, Crossley & Scott Contemporary, Melbourne, 2005; Nothing, Kaliman Gallery, Sydney, 2004; The Unfinished Studio, Crossley & Scott Contemporary, Melbourne, 2003; Day to Day, Kaliman Gallery, Sydney, 2002
Selected group exhibitions
Spring 1883, Dutton, Sydney, 2018; Works on Paper, BEERS, London, 2017; Spring 1883, Dutton, Sydney, 2017; Out of Place, Dutton, New York, 2016; Spring 1883, Dutton, Sydney, 2015; REDUXDELUX, Parkhaus Projects, Berlin, 2010; Our Project Presents: Poster Show, with Guy Benfield, 117 Grattan St., New York, 2008; Brix Presents: Full Nelson, Berlin, 2007; Recent Aquisitions, National Gallery of Victoria, Melbourne, 2005.