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Anne Ferran 1-38
25 April – 11 May 2020
Anne Ferran 1-38
25 April – 11 May 2020
The following text by Anne O’Hehir originally appeared in Artonview (94, Winter 2018, pp.62-63) following the National Gallery of Australia’s acquisition of Ferran’s 1-38 in 2018.
Anne Ferran is one
of a generation of photographers whose influence on contemporary Australian
photomedia has been profound, as both an artist and an educator. She taught for
many years at the Sydney College of the Arts and has maintained an active national
and international exhibition profile since the mid-1980s.
For the last twenty years or so, she has worked primarily and extensively with historical collections and sites, following an impulse toward examining lost or difficult histories and giving voice to oppressed, colonised or disregarded people through photography. She is interested in what we don’t know and can’t know of people’s lives, especially those whose lives essentially leave little or no trace behind. Her projects have explored the experience of women incarcerated in prisons, asylums and hospitals.
In 1999, Ferran was awarded a New South Wales Women and Arts Fellowship to work on an archive of thirty-eight photographs of women who were psychiatric patients incarcerated in Gladesville Hospital in Sydney. Ferran found copies of the photographs in the Government Printing Office Archive by typing ‘asylum’ into the state library’s database. The reason for taking and archiving the photographs, dated to 1948, is no longer known. Ferran was unable to discover the names of the women or why they were committed, as she was neither a patient’s family member nor a medical researcher. Because of this, she was unsure how, or if, she should proceed.
In the end, however, she decided to make what she described in an interview with Jonathan Holmes, published in Anne Ferran: the ground, the air, as a ‘second, shadow archive’. She made four books from the archival material, each focusing on different details of the original images, as well as a series of photographs titled 1-38 which she recently gifted to the NGA for the national collection.
The highly emotive series shows only the women’s midsections. The images are tough, almost unbearably moving and difficult, at times, to look at. Hands anxiously clutching, reaching out for reassurance, arms held awkwardly. The inmate’s clothing is makeshift, sometimes little more than a hospital gown, and often crumpled and institutionalised. The viewer does not need the faces of these women to understand on some level what is going on here. The women’s anxiety and suffering is writ large in their gestures. They either stand forlornly alone or their confined state is reflected in the gestures of the nurses who reach in from the side to steady their patients or to keep a firmer hold of them. This is a powerful and intense work by Ferran; and one that continued her interest in women who were on the edges of society.
ANNE O’HEHIR Curator, Photography, National Gallery of Australia 2018
Notes
1-38 consists of ten complete sets, with open edition prints available individually.
Created in conjunction with 1-38 was a series of four felt bound artists books titled Insula. These books feature additional details cropped from the original photographs, including the women’s faces. As such Ferran is diligent in controlling access to the books, to indicate and respect the private and privileged nature of the material. In Ferran’s touring exhibition, Shadow Land the books were shown in a single vitrine, while in her exhibition, The Ground, the air, at the Tasmanian Museum and Art Gallery in 2008, they were shown on tables, set within an austere enclosed room, whose entrance was guarded by an attendant. Images of these installations have been included to inform the understanding of 1-38.
Anne Ferran
01
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
03
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
02
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
04
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
Insula
, 2003
Installation view, Shadow Land , Australian Centre for Photography, Sydney, 2005
Anne Ferran
05
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
07
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
06
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
08
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
Insula
, 2003
Installation view, Shadow Land , Australian Centre for Photography, Sydney, 2005
Anne Ferran
09
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
11
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
10
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
12
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
09 and 36 from 1-38
, 2003
Inkjet print on archival paper
32.8 x variable widths
Anne Ferran
13
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
15
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
14
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
16
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
1-38
, 2003
Installation view, Still Present, Adam Art Gallery Te Pātaka Toi, Wellington, 2005
Switch this block to edit mode to add an artwork
Anne Ferran
19
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
18
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
20
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
1-38
, 2003
Installation view, Still Present, Adam Art Gallery Te Pātaka Toi, Wellington, 2005
Anne Ferran
21
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
23
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
22
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
24
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
Insula
, 2003
Installation view, Still Present, Adam Art Gallery Te Pātaka Toi, Wellington, 2005
Anne Ferran
25
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
27
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
26
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
28
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
Insula 1
, 2003
Unique artist book, digitally printed and felt bound
33.3 x 48.5 x 5.5cm
Installation view, Still Present, Adam Art Gallery Te Pātaka Toi, Wellington, 2005
Anne Ferran
29
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
31
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
30
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
32
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
Insula 2
, 2003
Unique artist book, digitally printed and felt bound
33.3 x 48.5 x 5.5cm
Installation view, Still Present, Adam Art Gallery Te Pātaka Toi, Wellington, 2005
Anne Ferran
33
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
35
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
34
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
36
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
37
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
38
, 2003
Inkjet print on archival paper
32.8 x 48.3cm
open edition
Anne Ferran
Insula 3 & 4
, 2003
Unique artist book, digitally printed and felt bound
33.3 x 48.5 x 5.5cm
Installation view, Still Present, Adam Art Gallery Te Pātaka Toi, Wellington, 2005