Untitled (it all depends on you)
, 2025Acrylic on DPCU Cordura
152 x 343cm
Sutton Gallery is pleased to present it all depends on you by Lucina Lane. The foundational material in this latest body of work, is the phased-out military-grade Disruptive Pattern Camouflage Uniform (DPCU) Cordura canvas, which due to its figurative nature was nicknamed ‘hearts and bunnies’ or ‘jellybean camo’. Drawn from the Paul Celan (1920–1970) poem You, the exhibition title it all depends on you, undermines the fabric’s complex visual and historical connotations of war, politics and action.
Departing from her previous use of neutral cotton duck canvas, Lane turns to the inherent meaning embedded in the DPCU textile itself. The canvas, once a neutral substrate, now actively contributes to the work’s semiotic charge, aligning materiality with message. Across the surface, white wall paint is used not simply as a tool to prime the canvas ground, but as an aesthetic layer, to obscure and highlight. In doing so, the works are optically drawn closer to the gallery wall— dissolving boundaries between artwork, environment and implicating the surrounding space in their reading.
Lane’s restricted application of flat, uniform paint furthers her ongoing engagement with the physical and attendant conceptual construction of artworks. These works draw upon and recontextualize the vocabularies of historical, artistic movements including Post-Minimalism, Pop, and Conceptual Art. The resulting works operate analogously to Rorschach tests—ambiguous and multivalent, inviting ideological projection and personal introspection. Through this ambiguity, Lane positions the viewer as an active participant, compelled to negotiate their own interpretive frameworks, subjectivities, and sociopolitical assumptions.
On inconsistencies
Lean:
flick
in the abyss, in the
scribblings in the notebooks
the world begins to rustle. it all depends
on you
*Paul Celan You, as featured in ‘Philosophy and Politics’, by Alain Badiou, 1999
Lucina Lane (b.1991, Melbourne. Lives and works in Melbourne) has exhibited widely since graduating from the Victorian College of the Arts (VCA), The University of Melbourne, with a Bachelor of Fine Arts (Honours) in 2013.
Notable exhibitions include; Like a Wheel That Turns: the 2022 Macfarlane Commissions, The Australian Centre for Contemporary Art, (ACCA), Melbourne (2022); Primavera at the Museum of Contemporary Art, Sydney (2019); Painting Amongst Other Things, ANCA, Canberra (2018); New World, Robert Heald Gallery, Wellington (2024); Do you want the truth or something beautiful?, Sarah Cottier Gallery, Sydney (2021), Teach the kids to strike, with Nigel Lendon, Neon Parc, Melbourne (2018); breath is a bridge, Neon Parc, Melbourne (2017); Visitor Visitor, presented by CAVES off-site, Gippsland Centre for Art and Design (2016); The 5th/6th Artist Facilitated Biennale as part of the Tarrawarra Biennial – Endless Circulation, Tarrawarra Museum of Art (2016); loosen the earth, West Space Melbourne (2016); and Cold like Concrete, Australian National University, Canberra, (2016).
Lane was a finalist in the 2017 biannual Keith and Elisabeth Murdoch Travelling Fellowship and the 2018 Redlands Art Prize. From 2014 to 2017, Lane served as a board member of TCB art inc.artist-run initiative, in 2019, she was a Teaching Associate at the Victorian College of the Arts in the Drawing / Printmaking and Painting departments. She is currently a PhD candidate at La Trobe University.