Anne Ferran Birdlike

5 March –
2 April 2022
Field haunter 1
Anne Ferran

Field haunter 1

, 2020–2021
Pigment print on cotton rag paper
Small format - 65 x 50cm Ed. of 5 + 2APs
Large format - 144 x 104cm Ed. of 3 + 2APs

In Birdlike I aimed to summon the return of a small ground-dwelling bird, the Plains wanderer, Pedionomus torquatus, to a place that it vanished from long ago. Once common over vast areas of southern NSW and Victoria, its existence is now threatened, and birdwatchers like me will go to great lengths to see it just once in their lives. In these photographs, made on Wiradjuri country, near Narrandera NSW, the Plains wanderer makes a form of speculative reappearance, via signs as indirect as the flatness of the landscape, the vastness of the sky and the colours of the lengths of felt the performer is manipulating.

I came to this way of working a few years ago. Its two key components are my collaboration with a performer – here it is Kirsten Packham – and her improvisations with lengths of dyed and painted felt. I choose the performer carefully, as so much depends on her sensitivity to her surroundings and her ability to transmit it through her physical body. With its inherent density, softness and weight, the felt can amplify and enhance her movements and gestures, while exerting a strong presence of its own. I never know what will emerge from these sessions, only that it will be something new, arising out of that moment, that performance and that situation. 

Until now I have preferred to work in the familiar environment of a photographic studio. Decamping to the landscape introduced many small and some not-so-small considerations: the texture of the ground underfoot, the ever-changing effects of early morning or late afternoon light, whether it was hot, cold or blowing a gale at any one moment. Small trees crept into the frame and started acting like performers themselves. As the photographs began to accumulate, I thought I could see an out-of-place, almost alien quality emerging. This was unexpected, but on reflection it seems consistent with the displacements that have already happened in this place, as well as with those others that may come in the future. – Anne Ferran, 2022.

Performer: Kirsten Packham
Lighting: Frances Mocnik
Assistant: Brittany Hefren

This project is supported by the NSW Government through Create NSW, and the Cad Factory, Narrandera.

Selected solo exhibitions

Select solo exhibitions: White Against Red, Sutton Gallery, Melbourne, 2018; Flying Colour, Sutton Gallery, Melbourne, 2016; Shadow Land, Lawrence Wilson Art Gallery, Perth and touring nationally, 2014-16; Box of Birds, Sutton Gallery, Melbourne, Body of water, Sutton Gallery, Melbourne, 2013; Songbirds are Everywhere, Stills Gallery, Sydney, 2011; CANAL, Centre for Contemporary Photography, Melbourne, 2009; The ground, the air, Tasmanian Museum and Art Gallery, Hobart, 2008; Spill, National Museum of Australia, Canberra, 2002.

Selected group exhibitions

Select group exhibitions: Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra, 2020; Fabrications, Wollongong Art Gallery, NSW, 2020; Inspiracje Festival, Szczecin, Poland, 2017; Versus Rodin: bodies across space and time, Art Gallery of South Australia, Adelaide, 2017; Emanations: the art of the camera less photograph, Govett-Brewster Gallery, New Plymouth, 2016; The Photograph and Australia, Art Gallery of New South Wales, Sydney, 2015; Photography Meets Feminism: Australian women photographers 1970s–80s, Monash Gallery of Art, Melbourne, 2014; Mix Tape 1980s: Appropriation, Subculture, Critical Style, National Gallery of Victoria: Australia, Melbourne, 2013; Negotiating this world: Contemporary Australian Art, National Gallery of Victoria: Australia, Melbourne, 2012.

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