
Installation view
Anne-Marie May
Everyday Joyful is Mobile (2021)
Shepparton Art Museum, Shepparton, VIC
Photo Christian Capurro
Anne-Marie May works across sculpture, installation, design and textiles to explore perceptual and chromatic relationships. Her celebrated practice seeks to create both spatial and conceptual connections between an artwork and its architectural location.
Making and materiality are central to May’s practice, drawing on a historical confluence of craft, design and architecture to inform the production of objects. Grounded in a research-based process of intuitive experimentation, May resists industrial modes of fabrication in lieu of a craft-orientated approach to think through the variation and irregularity inherent to a studio practice. Through the provisional forming of objects, May fosters material interactions to invite unexpected outcomes.
While producing primarily three-dimensional and spatially experienced objects, May returns to drawing as a foundational methodology to rethink conceptual relationships between interior and exterior. This fundamental line of inquiry provides May the capacity to realign spatial and surface relations, in order to develop experiential complexity.
Since her inaugural exhibition at 200 Gertrude Street in 1988, Anne-Marie May (b. 1965, Naarm/Melbourne) has exhibited extensively throughout Australia and internationally for nearly four decades. She has been included in major biennials and surveys of contemporary Australian art, including Melbourne Now, 2014, National Gallery of Victoria, Melbourne; 21st Century Modern: 2006 Adelaide Biennial of Australian Art, 2006, Art Gallery of South Australia, Adelaide and Primavera, 1995, Museum of Contemporary Art Australia, Sydney. Notable solo exhibitions include Anne-Marie May: Heide II, 2004 at Heide Museum of Modern Art; Inside Out: Space and Process, 2020 at McClelland and Everyday Joyful is Mobile, 2021 at Shepparton Art Museum.
Examples of May’s work can be found in important public collections both nationally and internationally, including National Gallery of Australia, Canberra; Auckland Art Gallery Toi o Tāmaki, Tāmaki Makaurau Auckland; Museum of Contemporary Art Australia, Sydney; National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; University of Melbourne, Melbourne; Heide Museum of Modern Art, Melbourne, among others.
Artist's CV (PDF)May allows for a personal relation to abstract forms, one that heightens our impressions of material, space and process in our everyday experience of the world.
Simon Lawrie, "Anne-Marie May: Sensing space" in Inside out: Space and Process Erwin Fabian & Anne-Marie May (exhibition catalogue), McClelland Sculpture Park+Gallery: Melbourne, 2020
Installation view
Anne-Marie May
Everyday Joyful is Mobile (2021)
Shepparton Art Museum, Shepparton, VIC
Photo Christian Capurro
Installation view
Anne-Marie May
Everyday Joyful is Mobile (2021)
Shepparton Art Museum, Shepparton, VIC
Photo Christian Capurro
Installation view
A Fictional Retrospective: Gertrude’s First Decade 1985-1995
Gertrude Contemporary
Photo Machiko Abe
Installation view
Anne-Marie May: Heide II, 2004
Heide Museum of Modern Art, Melbourne
Photo John Brash
Installation view
Anne-Marie May: Heide II, 2004
Heide Museum of Modern Art, Melbourne
Photo John Brash
Anne-Marie May
RGB (mobile), 2013
Thermally formed acrylic, stainless steel
153.5 × 140.2 × 153cm
Collection of the National Gallery of Victoria, Melbourne
Anne-Marie May
Untitled (mobile), 2014
Thermally formed acrylic, stainless steel
210 x 91.5 x 101cm
Private collection, Melbourne
Photo Mark Ashkansay
Installation view
Anne-Marie May
Inside out: Space and Process, 2020
McClelland, Melbourne
Photo Christian Capurro
Installation view
Anne-Marie May
Inside out: Space and Process, 2020
McClelland, Melbourne
Photo Christian Capurro
Installation view
Anne-Marie May
Horizon Portal, 2025
Commissioned for Strata: Lorne Sculpture Biennale, 2025
Lorne, VIC
Photo Christian Capurro
Anne-Marie May
Hemaspectrum, 2015
Birch plywood, thermally formed acrylic
240 x 110 x 92cm
Commissioned by Monash University, 2015
Photo Mark Ashkansay
Anne-Marie May
Hemaspectrum, 2015
Artwork detail
Installation view
Anne-Marie May
Hook Me Up (synaesthesia), 2018
Melbourne Recital Centre, Melbourne
Installation view
Anne-Marie May
Azolla Spectrum, 2024
Commissioned by Shayer Group
The Quarter, 300 George Street, Brisbane